dantebykiko:

yohji yamamoto femme aw1993. not for sale…

perfect.

dantebykiko:

yohji yamamoto femme aw1993. not for sale…

perfect.

commovente:

Dirty Girls

“Shot in 1996 and edited in 2000, this is a short documentary about a group of 13-year-old riot grrrls in Los Angeles who were socially ostracized at their school by their peers and upperclassmen. Everyone in the schoolyard held strong opinions about these so-called “dirty girls,” and meanwhile the “dirty girls” themselves aimed to get their message across by distributing their zine across campus. Directed by Michael Lucid. Music: “Batmobile” by Liz Phair.”

(via venusplateau)

heimrheljar:

Backstage Ann Demeulemeester FW 2012

h o t

heimrheljar:

Backstage Ann Demeulemeester FW 2012

h o t

(Source: omyt, via wallflowermanifesto)

frdndpkr:

Time-stretched version of ‘Warm Leatherette’ by The Normal.

so. fucking. cool.

(Source: cahlm, via traum-novelle)


Stripper in Clearwater, FLA showing the judge that her bikini briefs were too large to expose her vagina to the undercover cops that arrested her. The case was dismissed.

Stripper in Clearwater, FLA showing the judge that her bikini briefs were too large to expose her vagina to the undercover cops that arrested her. The case was dismissed.

(Source: charleswhiskey, via waxwingblooming)

heynichole:

Blood Orange

heynichole:

Blood Orange

(Source: zombiegotham, via porannarosa)

phoebebishopwright:

Crystallized leg made for Viktoria Modesta for the Paralympic closing ceremony London 2012 sponsored by Swarovski

phoebebishopwright:

Crystallized leg made for Viktoria Modesta for the Paralympic closing ceremony London 2012 sponsored by Swarovski

(Source: theremina)



Fluorite

it’s like a chunk of the night sky

Fluorite

it’s like a chunk of the night sky

(Source: bijoux-et-mineraux, via chamanka)

fette:

Unknown photographer, East Los Angeles female gang members in a police lineup, 1942. Via.
—
No matter what you do in L.A., your behavior is appropriate for the city. Los Angeles has no assumed correct mode of use. You can have fake breasts and drive a Ford Mustang – or you can grow a beard, weigh 300 pounds, and read Christian science fiction novels. Either way, you’re fine: that’s just how it works. (…)
L.A. is the apocalypse: it’s you and a bunch of parking lots. No one’s going to save you; no one’s looking out for you. It’s the only city I know where that’s the explicit premise of living there – that’s the deal you make when you move to L.A. (…)
If you can’t handle a huge landscape made entirely from concrete, interspersed with 24-hour drugstores stocked with medications you don’t need, then don’t move there. (…)
Los Angeles is where you confront the objective fact that you mean nothing; the desert, the ocean, the tectonic plates, the clear skies, the sun itself, the Hollywood Walk of Fame – even the parking lots: everything there somehow precedes you, even new construction sites, and it’s bigger than you and more abstract than you and indifferent to you. You don’t matter. You’re free.
Geoff Manaugh, Greater Los Angeles, for BLDGBLOG, October 2007.

fette:

Unknown photographer, East Los Angeles female gang members in a police lineup, 1942. Via.

No matter what you do in L.A., your behavior is appropriate for the city. Los Angeles has no assumed correct mode of use. You can have fake breasts and drive a Ford Mustang – or you can grow a beard, weigh 300 pounds, and read Christian science fiction novels. Either way, you’re fine: that’s just how it works. (…)

L.A. is the apocalypse: it’s you and a bunch of parking lots. No one’s going to save you; no one’s looking out for you. It’s the only city I know where that’s the explicit premise of living there – that’s the deal you make when you move to L.A. (…)

If you can’t handle a huge landscape made entirely from concrete, interspersed with 24-hour drugstores stocked with medications you don’t need, then don’t move there. (…)

Los Angeles is where you confront the objective fact that you mean nothing; the desert, the ocean, the tectonic plates, the clear skies, the sun itself, the Hollywood Walk of Fame – even the parking lots: everything there somehow precedes you, even new construction sites, and it’s bigger than you and more abstract than you and indifferent to you. You don’t matter. You’re free.

Geoff Manaugh, Greater Los Angeles, for BLDGBLOG, October 2007.

tonsofland:

sin.